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1935 Silvatone
There has been some discussion in resonator circles of the work of Charles Edward Brasher, who held the 1935 patent for this guitar (#349662). What has not been noted until now is the direct connection to the work of Arthur Hensel. Followers of our website will have noted our fascination with the guitars Hensel built in Toronto in the '30's and '40's. Hensel made guitars and mandolins of many different quality points, but all have a few defining touches that make them easily recognizable. Perhaps best of these birthmarks is his peculiar treatment of the transition from back of neck to headstock. We've seen a number of examples of his wood-bodied resonators, often under the "Reliance" name. This is the first brass-body we've had. It would appear that Hensel built and finished the neck for Charles Brasher, a tool and die maker and musician. It has been suggested that these were only built for members of Brasher's band, starting in 1934 when the patent was applied for (see band photo, courtesy of Mr. Bryan Bradfield). Two models have been identified to date: the Silvatone and the Maui; no one knows how many were made. The resonator is a unique blend of Dobro and National styles featuring a pressed aluminum cone similar in shape to a Dobro but with a biscuit bridge. The body and setup are crudely done, but with an immediacy and flare that make the guitar irresistible. It sounds predictably metallic.
This is a very rare guitar, and a wonderful opportunity to own a fantastic piece of Canadian folk-art.
With hard shell case
$1999 (US $1799)
