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1936 Washburn 5257 1/2 Solo Deluxe

Washburn’s top of the line flat top of the late 1930s, the 5257 ½ Solo Deluxe featured a sunburst finish, large block oyster-shell inlays, gold Grover tuning machines, and fancy headstock inlays and bindings. Its ‘Full-Auditorium’ body is roughly OM-sized but somewhat deeper and built with Indian rosewood and Eastern spruce, and its top features X bracing and a small maple bridgeplate. The neck has a very comfortable modest V carve, long 25.7” scale, a nut width that’s a bit shy of 1-13/16,” ebony fingerboard, and multi-piece glue-up construction without truss-rod. Altogether, it’s a strikingly attractive guitar with the distinction of being the only OM-style instrument with a long scale that was offered by any manufacturer in the late 1930s.

But what we really want to tell you all about is how this one sounds because, more than anything, this guitar is about tone. And shockingly so. It’s a phenomenally good sounding guitar, and completely unlike anything else we’ve ever played. Try to imagine mating a 1930 OM-28 with a 1941 J-35 and it actually working. Deep bass with lots of thump and shudder, effortlessly loose mid-range with amazing volume and touch-sensitivity, and trebles that are both full and defined, dark and rich, and completely worn-in. Beautiful fundamental presence without being too clean, yet overtones and smoky character that add their color without obscuring what’s going on in the center of it all. Sustain is lovely, and the guitar has a somewhat lazy reply to a player’s attack that makes you slow down and listen. It’s sonic heaven.

The guitar has had its neck reset in its recent past. It has some minor side damage that was repaired and touched up, there are cracks along the fingerboard extension that are heavily cleated and the top’s center seam has been reglued. The top braces have been scalloped, which has a lot to do with the shockingly good sound of the guitar. Original finish throughout, with areas of very professionally blended-in overspray. No funny business to be seen under black light.

Original tuners and nut, original large frets have been dressed, original bridge pins and replacement bone saddle. The saddle slot appears to have been re-cut as well. Currently set up with EJ-16s and an action of 5-6 64ths. The guitar plays cleanly and surprisingly easily given its extra-long scale length.

With modern HSC
1936 Washburn 5257 1/2 Solo Deluxe

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